wrennette: yellow and brown wren birds on a bright coral field (Default)
2021-05-07 03:29 pm
Entry tags:

process talk: watercolour papers

i finally tore one of my new(ish) full sheets of papier d'arches into smaller sheets today, to start a 6/6 painting of jetpack attack cody, and i'd forgotten how nice painting on arches is, after my test of the shizen paper.

the shizen was nice enough at first - i think i like the smoother hot press paper better - but it quickly became clear that the shizen is just way too thirsty for the way i paint, plus, especially on the rougher paper, erasing just tears the paper up and makes a mess. since i prefer to sketch directly on the paper rather than make a sketch and then transfer it, it made me very frustrated very quickly. the padme painting i did (here) nearly got destroyed in the process of erasing, and there are a few pieces where even though i erased and damaged the paper, the sketching is still a lot more visible than i would like.

i need to check what weight i bought of arches, because it's not as heavy as the stuff i used to use, and also so depending on whether i like it or not i'll know what i want when i resupply. i also tore one full sheet down to make another watercolour sketchbook, since i finished off the one i made of reused paper. i think the lighter weight will be a benefit there, since it will make it easier to sew into book form, but we shall see.
wrennette: yellow and brown wren birds on a bright coral field (Default)
2021-02-03 06:11 pm
Entry tags:

process talk: shizen paper

while i like the size of the shizen watercolour papers a lot, the hot-press was nearly destroyed by my masking fluid, and the 'rough' doesn't take eraser well at all. the marks remain persistent even when i've used the eraser heavily enough that the surface of the paper has begun to pill. the rough surface is also very thirsty, and requires me to work a lot wetter than i usually do. will not purchase again.